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MARÍA LARÍN
In the drawings presented below, I think about the idea of the re-signification of the everyday object, as a being with its own identity. Which has been able to overcome its initial utilitarian function, thanks to being considered by others as a container of memory, capable of generating memories and emotions. This hypothesis, formalized by the emergence of living matter (such as flowers of all kinds, insects, birds and amphibians) of these apparently inert beings. It's generates a dialogue between container and memory as living material and in continuous expansion.
![]() "Resignification IV" (2015) |
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![]() "Resignification II" (2015) |
![]() "Resignification VII" (2015) | ![]() "Resignification VI" (2015) | ![]() "Resignification V" (2015) |
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![]() "Resignification VIII" (2015) | ![]() "Resignification I" (2015) | ![]() "Resignification III" (2015) |
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